The Zoom B9.1ut Bass Effects Console is the complete solution for the gigging and recording bassist with a range of 20 different bass amp and stomp box modelling choices.
The Phat Boy will enhance any bass player's performance by combining a preamp, analog and digital signal processor and a DI box together in one cost effective package.
The Blue Thunder is loaded with 128 professional Presets custom designed for bass. The Blue Thunder has a selectable Hi-Pass Effects Filter that allows you to determine the frequency range being passed through the digital effects, delivering lush effects that won’t muddy up your low end.
The 1U rackmount SansAmp RBI is a pumped-up, expanded version of the popular SansAmp Bass Driver DI pedal. In addition to Drive, Presence, and active Bass and Treble controls, the SansAmp RBI has a dedicated Mid control and an XLR Output Level control for optimum performance with PA systems.
The Radial Bassbone is a power-packed bass preamp that combines real-world functionality with amazing tonal control, making it the ideal front end for live performance and studio recording.
Much more than just a direct box, the SansAmp Bass Driver DI is capable of dialing up big vintage tube tones, bright modern slap sounds, gnarly distortions, and all in between.
The Dual MP incorporates two channels of ART’s hugely successful Tube MP into a single rack space chassis. The "sound" of ART microphone preamps are quickly becoming a staple of the pro and project studio environments.
The all-analog circuitry features the same controls as its single channel predecessor: Drive, Bass, Treble, Presence, Blend and Level. Digital only in its programmability, you just tweak the knobs until you find a tone, double-tap on a footswitch, and it’s saved in that channel. It’s that simple. Three of your faves -- to go!