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SHURE KSM141 SL Multi-Pattern Microphone
MSRP 649,00 EUR
our price 499,00 EUR
incl. 20 % Tax excl.
Product No.: KSM141SL
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The Shure KSM141 is an end-addressed condenser microphone with mechanically switching dual polar patterns (cardioid and omnidirectional). Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.
A mechanical rotating switch helps create a highly consistant cardioid and true omnidirectional polar patterns for smooth and extremely focused sound reproduction.
A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications.
Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar¬ diaphragm for superior transient response.
Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion.
Premium electronic components, including gold-plated internal and external connectors.
Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration.
3-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs).
3-position switchable low-frequency filter to reduce background noise and counteract proximity effect.
Extended frequency response
Low self noise
Exceptional reproduction of low-frequency sounds
Can withstand high sound pressure levels (SPL)
High output level
No crossover distortion
Uniform polar response
Superior common mode rejection and suppression of radio frequency interference
Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.
Acoustic instruments — such as piano, guitar, drums, percussion, strings
Wind instruments — brass and woodwind
Low frequency instruments — such as double bass, electric bass, kick drum
Overhead mic'ing — drums or percussion
Ensembles — choral or orchestral
Room ambiance pick-up — guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.
KSM Studio Condenser Microphones balance exceptional sensitivity and flexibility with unmatched durability to accurately capture the widest variety of sound sources. Finely tuned condenser cartridges give voice to each of these elegant recording microphones.
Wide 20Hz-20kHz frequency response is superb for vocals and instruments
Transformerless preamplifier circuitry for linearity across all frequencies
Ultra thin diaphragm
Exceptionally wide dynamic range
Able to handle high-input SPL sources like drums and guitar
Cartridge Type: Permanently Biased Condenser
Frequency Response: 20š20,000 Hz (see Figures 3 and 5)
Directional Polar Pattern: Cardioid/Omnidirectional (see Figures 4 and 6)
Output Impedance: 150 Ω (actual)
Attenuation Switch: 0 dB,15 dB, or 25 dB attenuation
Low Frequency Response: Switch Flat; š6 db/octave below 115 Hz;
š18 dB/octave below 80 Hz
Phantom Power 48 VDC
Break resistant mic clip
This Product was added to our catalogue on Thursday, 21. September 2006.
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L O G I N :
Phil Jones Piranha 6T Bass Cabinet 6x5" 600W
incl. 20 % Tax excl.
© Music-Center-Filibe 2006
Music-Center-Filibe is not responsible for typographical errors in pricing or product specification inaccuracies in our catalogs or web site. Prices are subject to change without notice.
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